<img src="https://sb.scorecardresearch.com/p?c1=2&amp;c2=36750692&amp;cv=3.6.0&amp;cj=1"> Sony's Spider-Man universe officially boasts the most embarrassing Rotten Tomatoes scores this side of 'Baby Geniuses 2' – We Got This Covered
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Images via Sony Pictures Releasing

Sony’s Spider-Man universe officially boasts the most embarrassing Rotten Tomatoes scores this side of ‘Baby Geniuses 2’

Kraven is nervously tugging his collar in the corner.

Spider-Man universe (which has no Spider-Man in it) have proven so ruthlessly 

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A new post by the X Culture Crave has compiled the scores received by five of Sony’s dalliances with the Spider-verse, all of which failed to reach the review aggregator’s favorable 60% score and were branded with the much-feared “Rotten” status. 

It comes fresh off the release of Madame Web, which was released earlier this year and received an 11% score among critics. 

This won’t come as a surprise for fans, since it was the poor quality of the film — which follows Johnson as a peripheral friend of Peter Parker’s parents — became the subject of countless memes and an equally chaotic (yet undeniably entertaining) press tour. 

The film was so bad, in fact, that some fans believed Madame Web did a U-turn and became something of an iconic, campy delight — in a ‘so bad it’s actually good’ kind of way — but Rotten Tomatoes didn’t agree. 

The consensus among Morbius

https://twitter.com/emilybernay/status/1511131092065132547

Earning just penned by Matt Sazama and Burk Sharpless (who should be stopped at all costs). 

The remaining Sony Spider-Man films in Rotten Tomatoes’ bad books are all part of the same franchise, with Venom, Venom: The Last Dance, and Venom: Let There Be Carnage receiving 30%, 39%, and 57%, respectively. It’s here that the gap between audience and critic scores is most apparent since the first two installments of the Tom Hardy-starring franchise both received 80% or more among fans, who almost universally enjoy the odd couple, symbiote-loving movies.

Critics said Venom was “chaotic [and] noisy,” and that its successor was only for “fans of the original’s odd couple chemistry.” Since it has only just arrived, we’re yet to hear the consensus for The Last Dance (and even its 39% score is subject to change), but perhaps the final Venom movie will be the beacon of hope Sony needs to redefine its vision for future Spider-Man entries. 

If not, maybe they should scrap the whole endeavor entirely and just let Tom Holland do his thing, and spare themselves the destiny of ending up like 0% Rotten Tomatoes-getters like SuperBabies: Baby Geniuses 2 and Gotti.  


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Tom Disalvo
Tom Disalvo is an entertainment news and freelance writer from Sydney, Australia. His hobbies include thinking what to answer whenever someone asks what his hobbies are.